“And the final – magnificent – solo by Arianna Marchiori took me places. (Far far further down the path than the choreographed steps alone could have taken me!) As I watched Marchiori, I imagined I had some insight into the tyranny of virtuosity. The immense weight of it. The obligation of it. The misery of it.”
“At the front of the ring – and master of it – Molly Haringsma rooks her arms up, making a palms-out trident shape, powerful and proud, as if she could hold the other dancers – maybe the entire universe – aloft. Later, Haringsma unfurls her leg – articulates her calf low and parallel to the stage – as if it were the easiest thing in the world. Had I been watching it on video, I would have watched it again and again.”
-Chris Boyd
Embodied Review - ArtsHub
https://www.artshub.com.au/news/reviews/dance-review-embodied-dancehouse-2721214/
Embodied Review - Chris Boyd
https://www.patreon.com/posts/one-evening-only-103539976?l=es
Project B Review - The Age
Project B Review - Chris Boyd
https://www.patreon.com/posts/letting-go-while-117317479
Limen Review - Chris Boyd
“The core ensemble comprises Marchiori, Chimene Steele-Prior and former Australian Ballet dancers Stephanie Petersen and Jessica Thompson. It's a quartet with an impressive range of professional experience.”
-Andrew Fuhrmann
“There is something so beautiful about classically trained dancers, the way their bodies twist and bend with precision and craft. Having stepped away from reviewing dance work for some time, for this reviewer the visual impact of both these works was sublime, as much as it was a jolt to the senses.”
-Jessi Ryan
